






Spirituality can no longer be limited to and restricted by religious constraints, but rather it must be
explored and embraced by all aspects of our lives including art and painting. Like many inspirational
Baroque artists such as Caravaggio and Velazquez, I have tried to adopt a similar approach to
painting in which the subject is portrayed not only spiritually but also solemnly and meditative. I have
found that paintings of this period extend far beyond their religious subject matter, thus producing a
spiritual fervor due to their craftsmanship and use of color. Consequently, painting like religion, allows
us to maintain a discourse with the past that further enhances our understanding and view of the
present. Furthermore, unlike other studies, painting and spirituality provide an opportunity to pursue
a greater appreciation of the true meaning to our existence. Art therefore not only requires, but demands
intelligence, discipline, and self-criticism. Without these attributes, one becomes restricted and unable
to achieve their greatest potential.
For me, painting has also taken on a mystical undertone. Free of conventional limitations, the
paintings that are approached with a mystical or spiritual connotation tend to not only be the most
effective but also the most successful. As well, mystical simplicity warrants the need to not only
embrace an introspective relationship with one’s self but also that which can be obtained through external
forces such as art and painting. It is imperative to not only accept, desire, and demand more from life
than a simple existence, but rather a life that is filled with spiritual peace and mystical insight.